{"id":476,"date":"2022-03-04T01:44:17","date_gmt":"2022-03-04T00:44:17","guid":{"rendered":"http:\/\/jimclarke.net\/?p=476"},"modified":"2022-03-04T01:49:47","modified_gmt":"2022-03-04T00:49:47","slug":"how-utopia-may-grow-from-coal-black-suburbia","status":"publish","type":"post","link":"https:\/\/jimclarke.net\/index.php\/2022\/03\/04\/how-utopia-may-grow-from-coal-black-suburbia\/","title":{"rendered":"How Utopia may grow from Coal Black Suburbia"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">The best band of the Britpop era was not Blur or Oasis, nor even Pulp, but <a href=\"https:\/\/www.suede.co.uk\/\">Suede<\/a>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">(Shout outs to Ash, Echobelly, Sleeper and Gene too.)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">So it&#8217;s been interesting reading Brett Anderson&#8217;s brief memoir, <em>Coal Black Mornings<\/em>, of the period up to the point where he became famous and his story devolves into, as he put it, \u201cthe usual \u2018coke and gold discs\u2019 memoir\u201d.<\/p>\n\n\n\n<figure class=\"wp-block-image is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/m.media-amazon.com\/images\/I\/41eYd5gf8HL.jpg\" alt=\"Coal Black Mornings (English Edition) eBook : Anderson, Brett: Amazon.it:  Kindle Store\" width=\"180\" height=\"283\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Comparing it to David Mitchell&#8217;s novel <em>Utopia Avenue<\/em>, which features a fictional band from the Sixties, it&#8217;s interesting to see the many overlaps. The early sections of <em>Utopia Avenue<\/em> are easily the most interesting. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Both are tales of three-bar fires, poky terrace houses, distant parents, and the edgy tedium of suburbia, all opening up into a London which is equated to liberty, albeit a grimy, pot-infused, impoverished kind of freedom.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The conclusion of Mitchell&#8217;s novel, bar one not-especially-shocking twist, devolves to the same hotel rooms, drugs and hangers-on narrative one can find in any rock or pop memoir. One suspects Mitchell had nowhere else to go. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">One also wonders whence he derived where the novel came from. Anderson&#8217;s origins are far from unique (mine shares many of the same attributes, albeit with the added frisson of a low-level civil war going on at the edge of the stage). But I wonder whether Mitchell read Anderson&#8217;s book before completing his own?<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">More memoirists should consider Anderson&#8217;s approach rather than speeding through their childhoods to get to the fame bits. Fame is boring and monotonous, and judging by the opinions of the occasional famous person I&#8217;ve met, somewhat of a trap and a burden. We are made by our youth and it is there where we may be found.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Thanks to the success of this first volume, Anderson wrote a follow-up about his fame years. It gets pretty good reviews, but as with the latter portion of Mitchell&#8217;s novel, I suspect it might disappoint, so I intend to leave his story hanging, perpetually suspended on the brink of success.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The best band of the Britpop era was not Blur or Oasis, nor even Pulp, but Suede. (Shout outs to Ash, Echobelly, Sleeper and Gene too.) So it&#8217;s been interesting reading Brett Anderson&#8217;s brief memoir, Coal Black Mornings, of the period up to the point where he became famous and his story devolves into, as &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/jimclarke.net\/index.php\/2022\/03\/04\/how-utopia-may-grow-from-coal-black-suburbia\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;How Utopia may grow from Coal Black Suburbia&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[109,86],"tags":[295,292,297,296,294],"class_list":["post-476","post","type-post","status-publish","format-standard","hentry","category-fiction","category-music","tag-britpop","tag-david-mitchell","tag-fame","tag-memoir","tag-suede"],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 4.9.8 - aioseo.com -->\n\t<meta name=\"description\" content=\"The best band of the Britpop era was not Blur or Oasis, nor even Pulp, but Suede. 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