The Aesthetics of Anthony Burgess

I write quite often about Anthony Burgess. My various posts about him and his work may be found here.

The debates about modernity and modernism seem neverending, especially since we now accept that postmodernism is over, but we aren’t agreed on what follows postmodernism.

One thing we can be certain of, however, is that modernism did not end with the second world war. The spirit of experimentalism, innovation, linguistic pyrotechnics, and stylistic panache continued into late modernism and arguably still exists today, just like punk music and dressing for dinner.

One of the finest practitioners of late modernism was Anthony Burgess, a polymath from Manchester, who spent most of his life outside of Britain, but nevertheless was an acute and sanguine observer of the British.

I wrote my PhD and my first monograph on Anthony Burgess, have curated the Oxford Bibliography of Anthony Burgess, and written many papers on his work. You should read him. Not just A Clockwork Orange either. So much of his work is astonishing.

Against my better judgement, I’ve written another book about him currently because it allows me to enjoy his fiction all over again. This is entitled Anthony Burgess’s A Clockwork Orange and is scheduled for publication in 2022.

I wouldn’t bet against further work down the line either. Meanwhile, there’s this: