While researching my forthcoming book on Anthony Burgess’s A Clockwork Orange, I came across mention of Molodoy, a shortlived Sheffield punk band of quasi-fascist tendencies whose schtick was that they appeared in full droog regalia on stage.
Molodoy is the Nadsat term for young, though it is barely used in the novel. Burgess did however use it extensively in one of his many revisits to the world of Alex, when he conducted an interview with his own creation entitled “A Malenky Govoreet about the Molodoy” in 1987, which can be found in the 2012 Corrected Edition of the novel as edited by Professor Andrew Biswell, or online here for now.
Judging by the information in this article on Dangerous Minds, the band Molodoy sound like they were right charmers. Some members later went on to form the disturbingly named Dachau Choir. Anyhow, their cover of ‘Tomorrow Belongs To Me’ does strike one as a note of sour and deranged genius.
Molodoy were far from the only band to derive inspiration from Burgess’s novel. In fact a large host of musical artists have either named themselves after aspects of the novel, or else written songs inspired by it.
But for Burgess, we might never have had Moloko, Moloko Knives, The Devotchkas, The Droogs, Campag Vellocet or Korova (which refers to both a band and a record label). And of the ten fictional bands mentioned within the work, at least five have had their names appropriated by real-life groups: Heaven 17, Johnny Zhivago, The Humpers, The Sparks and The Legend.
Molodoy may have been mentioned at the Kingston University conference on A Clockwork Orange a couple of years back, I seem to remember. Perhaps they’ll also feature in the forthcoming essay collection being edited by Matt Melia.